Collection Alt – Mohn Art Collective

The MAC3 collection was seeded by a gift of nearly 280 artworks from Jarl and Pamela Mohn’s collection, largely amassed over the last 20 years, comprised of paintings, sculptures, and mixed-media works by L.A. artists. In addition the Mohns’ gift, the Hammer Museum enhanced the MAC3 collection with 80 works previously acquired by the museum through its Made in L.A. biennials since 2012, bringing the initial total number of works in the MAC3 collection to more than 340 works. The collection will continue to grow with annual acquisitions funded through the Mohns’ endowment and jointly determined by all three museums. The MAC3 collection is available to all three museums for display, as well as loans to other museums around the world.

Artists in the Collection

Selected Works

This site’s homepage previews a selection of works from the collection. A full presentation of the collection is coming soon.

Clarissa Tossin, Disorientation Towards Collapse, 2020, Amazon.com delivery boxes, wood, 60 x 84 x 1 1/2 in.

Joey Terrill, Wells Fargo Center, 1984–1985, Acrylic on canvas, Nine panels: 18 × 24 in. each; 58 x 76 in. framed

Linda Stark, Spectacled Cobra, 2005, Oil on canvas, 36 x 36 in.

Guadalupe Rosales, Shortcut, 2022, Archival pigment print, engraved frame, 48 x 62 in.

Roksana Pirouzmand, Between Creases and Folds of Mountains, 2024, Ceramic, 36 x 21 x 3 in.

Harold Mendez, But, perhaps to establish for ourselves, ourselves as well, 2022/2023, Unique silkscreens transferred from glass negatives, ink, spray enamel, silver leaf, soot monotype on handmade paper pulp, pigment, paper, 63 x 110 x 6 1/4 in.

EJ Hill, Line 2, 2019, Mixed media, 40 x 30 x 1 3/4 in.

Kandis Williams, Because the forest is so densely grown with thistles and thorns, I had to send my slaves ahead of me with axes to hack out an opening for me to uncover specimens. Feet don't fail me now Take me to the finish line. Oh, my heart, it breaks every step that I take, But I'm hoping at the gates, they'll tell me that you're mine, 2020, Mixed media, 47 x 51 in.

Meleko Mokgosi, Cubism? by Marius de Zayas Arts and Decoration, 1916, Mixed media, 24 x 18 x 1 1/2 in.

Shaniqwa Jarvis, Slowly, Surely, 2025, Archival digital print on silk and satin, custom rods, 60 x 40 in.

Eamon Ore Girón, Talking Shit with Viracocha's Rainbow (variation III), 2024, Ceramic tile, 72 x 72 x 4 in.

Salomon Huerta, My Brother and Friend, 2024, Oil on canvas, Frame: 78 × 58 in.

Alfonso Gonzalez Jr., American Pawn Shop, 2024, Oil, enamel, latex, dirt, gel medium, and light box on wood panel, 176 × 272 × 7 1/2 in.

Kate Mosher Hall, Squeeze Wax, 2024, Acrylic, flashe, charcoal, and color pencil on canvas, 92 × 84 in.

Liz Glynn, The Futility of Conquest (Cavalcade), 2023, Steel armature with aluminum wire mesh coated in jesmonite, 84 × 91 × 77 in.

Kenturah Davis, Fall and Recover (Dunham), 2021, Carbon pencil rubbing on debossed paper, 81 x 81 in.

Carolina Caycedo, Guarranty, 2021, Inkjet Print, 39 1/2 x 29 1/2 in.

Melvino Garretti, Sassy, 1998, Wood, low-fire ceramic, glazes, acrylic, beads, plastic dinosaur, textiles, feathers, glass, 27 1/2 × 13 × 6 in.

Jackie Amézquita, Espejo Humoso (Smoky Mirror), 2024, Earth, masa, fossil shell, and obsidian, 24 x 18 in.

Edgar Arceneaux, Skinning the Mirror (Summer 1), 2025, Silver nitrate, acrylic and glass on canvas, 80 x 120 x 3 in.

Kelly Akashi, Monument (Regeneration), 2024, Flame-worked borosilicate glass and weathering steel, 26 × 17 × 17 in.; Base: 52 × 20 × 20 in.

Ben Caldwell, Medea, 1973, Digital video, transferred from 16mm, color, Duration: 6 minutes, 50 seconds

Matthew Brandt, AgXB401A, 2018, Silver gelatin print on aluminum, 40 x 27 in.

Marwa Abdul-Rahman, Consecrating Earth and Skies, 2015/2023, Mixed media, 8 1/2 × 8 1/2 ft.